Commandery News, of the Hawaii Commandery, Military Order of Foreign Wars, March 2020 by Hawaii Commandery Military Order of Foreign Wars

Courtesy Moving Image Research Collections Digital Video Repository (MIRC-DVR), University of South Carolina ExternalScott Nixon, a traveling salesman based in Augusta, Ga., was an avid member of the Amateur Cinema League who enjoyed recording his travels on film. In this 16-minute silent film, Nixon documents some 38 streets, storefronts and cities named Augusta in such far-flung locales as Montana and Maine. Arranged with no apparent rhyme or reason, the film strings together brief snapshots of these Augustas, many of which are indicated at pencil-point on a train timetable or roadmap. Nixon photographed his odyssey using both 8mm and 16mm cameras loaded with black-and-white and color film, amassing 26,000 feet of film that now resides at the University of South Carolina. While Nixon’s film does not illuminate the historical or present-day significance of these towns, it binds them together under the umbrella of Americana. Whether intentionally or coincidentally, this amateur auteur seems to juxtapose the name’s lofty origin—’august,’ meaning great or venerable—with the unspectacular nature of everyday life in small-town America. This early sound-era masterpiece was the first film of both stage/director Rouben Mamoulian and cabaret/star Helen Morgan.

Never shying away from Lynn’s professional and personal struggles, “Coal Miner’s Daughter” helped set the standard for every musical biography that has followed it. Sissy Spacek earned an Academy Award for her deeply heartfelt and true-to-life performance in the lead role. She is matched by her co-stars Tommy Lee Jones as Lynn’s husband “Doo” and Beverly D’Angelo as Lynn’s mentor, the late Patsy Cline.


In the two-minute, 30-second film, two gray balance-arm lamps—one parentally large and one childishly small (the “Junior” of the title)—interact with a brightly colored ball. Edward G. Robinson sneers and preens as the swaggering Caesar Enrico Bandello, a small-time hood who dreams of the big time and crashes the Chicago rackets. Mervyn LeRoy directs the picture with an efficient reserve, thanks partly to his own artistry and partly to the constraints of sound recording in its early days.

  • Energetically directed by Randal Kleiser and loaded with beloved songs like “You’re the One that I Want,” “We Go Together,” “Summer Nights,” “Hopelessly Devoted to You” and “Greased Lightin’,” “Grease” became thefilm of that year.
  • Determined to find his killer, and aided by his secretary and fiancé Paula , he traces a shipment of iridium and kills the men who poisoned him with the lethal chemical.
  • Attempting to snap or whip the sword will usually result in the execution of the movement seeming to be awkward or ragged.
  • Weill critiques the historically prevalent notions of women, marriage and motherhood, and the difficulties in pursuing an alternative lifestyle.

Also noteworthy is this film’s status as the earliest known surviving Selig Polyscope Company film. The Selig Company had a good run as a major American film producer from its founding in 1896 until its ending around 1918. “Something Good” exists in a 19th-century nitrate print from the University of Southern California Hugh Hefner Moving Image Archive.

The Life of an American Fireman

The evolution of the NCO from traditional supporting figure to empowered leaders has been a thoughtful institutional investment. Knowledge, skill and abilities of enlisted leadership have been reevaluated and adapted for current and future requirements. As an outcome of this effort NCOs essay helps are now empowered to assume added roles and responsibilities with the accountability once reserved for commissioned officers in each Service. To be successful, the small unit leader must be capable of independent action while making major decisions in support of national strategy.

Rogers found a superlative vehicle for his homespun persona in this small town slice-of-life setting. He is assisted by Janet Gaynor (already the Academy’s very first best-actress winner), Lew Ayres and Sally Eilers. Enhancing the fair’s festivities, which include the making of mom’s entry for the cook-off and the fattening-up of the family pig, are diverse storylines rich with Americana and romance—some long-lasting and some ephemeral, rife with fun but fleeting as the fair itself.

Before Serving in the Army

Discrimination is minimized in a system that emphasizes equal opportunity, but stops short of using quotas in order to avoid reverse discrimination. Thus, contrary to McNamee and Miller’s observations that meritocracy is a myth in America, individualism via the workings of meritocracy is alive marine corps customs and courtesies essay and well in the U.S. military. All members of the mess attended, including the battalion or regimental commander and the married officers. Guests sometimes appeared, and the mess as a whole bore the cost of a guest of honor while individual mess members paid the cost of their guests.

  • Huston quickly became unpopular with the Army, not only for the film but also for his response to the accusation that the film was anti-war.
  • Along the way he inadvertently causes a riot at a policeman’s parade, and the result is a gag-filled chase involving hundreds of cops.
  • All members of the mess attended, including the battalion or regimental commander and the married officers.
  • Our Values and Standards are essential to the British Army, they define what the British soldier Is.

Based on the tragic novella “The Pearl” by John Steinbeck, who also co-wrote the screenplay, this film adaptation is considered a landmark among English-language films released for Hispanic audiences in the United States. Directed by Emilio Fernández with award-winning black-and-white cinematography by Gabriel Figueroa, the film tells the tale of a poor Mexican fishing family whose lives are altered when the patriarch finds a perfect pearl. Wallace Kelly of Lebanon, Kentucky, made this exquisitely crafted amateur film at home in 1938. “Our Day” is a smart, entertaining day-in-the-life portrait of the Kelly household, shown in both idealized and comic ways. This silent 16mm home movie uses creative editing, lighting and camera techniques comparable to what professionals were doing in Hollywood. “Our Day” also contains exceptional images of small-town Southern life, ones that counter the stereotype of impoverished people eking out a living during the Depression.

Once Upon a Time in the West

Ingrid Bergman won her first Oscar for her spellbinding performance in the lead role while Charles Boyer skates the precarious edge between romantic hero and devious villain. They were ably assisted by Joseph Cotten, Dame May Whitty dissertation editing services reviews and, in her film debut, Angela Lansbury as a cockney maid. Expertly directed by George Cukor, the film remains as suspenseful as the day it was made, just as the term “gaslighting” remains firmly within our cultural lexicon.

The film was remade in 1949 as “In the Good Old Summertime” and in 1998 as “You’ve Got Mail.” Based on a true story, Steven Spielberg’s film stars Liam Neeson as Oskar Schindler, a German businessman in Poland hoping to benefit financially from the Nazis’ rise to power. Schindler staffs his manufacturing plant with unpaid Jewish workers, including Itzhak Stern who Schindler brings in to help run the factory. As conditions under the Nazis worsen for the workers, Schindler’s humanity eventually shines through and he bribes the Nazis to keep his workers out of the death camps.

Crisis: Behind a Presidential Commitment

Josef von Sternberg’s first American film to star Marlene Dietrich ranks as his best, according to many film historians, rich in exotic atmosphere. Gary Cooper costars as a foreign legionnaire who wins Dietrich’s heart with an economy of dialogue, and Adolphe Menjou plays a wealthy rake who competes for her affection. Dietrich, as a cabaret singer with androgynous appeal, looks sultry and performs three songs before trodding across the desert barefoot. “McCabe & Mrs. Miller” demonstrates why the Western genre, especially when reinvented by the acclaimed Robert Altman, endured in the 20th century as a useful model for critically examining the realities of contemporary American culture. In a small American frontier village, a stranger named McCabe builds a brothel with the help of experienced madame Mrs. Miller . The town soon prospers, and success brings the jealous — and potentially deadly — attentions of a wealthy mining company.

  • One of the truly unique pioneers of cinema, African-American producer/director/writer/distributor Oscar Micheaux somehow managed to get nearly 40 films made and seen despite facing racism, lack of funding, the capricious whims of local film censors and the independent nature of his work.
  • McSally said military bands would still be allowed to play at military funerals and certain ceremonies.
  • This capability is essential to enabling what will ultimately be a multi-stage naval battle focused on establishing sea control.

The three women – Kate Hyndman, Stella Nowicki, Sylvia Woods – emerge as unique, compelling voices. This two-color (green-blue and red) film was produced as a demonstration reel at the Paragon Studios in Fort Lee, New Jersey under the direction of Kodak scientist John Capstaff. It features leading actresses Mae Murray, Hope Hampton, and Mary Eaton posing for the camera to showcase Kodachrome’s superiority in capturing their translucent complexions and colorful costumes. Early on, color in film was achieved through laborious processes such as painting individual film frames by hand or overlaying stencils on prints and applying colors in sequence. These color additive methods were complicated and costly, and companies sought more efficient ways to reproduce the true colors of nature.

Related Join the Military Articles

Our Values and Standards are essential to the British Army, they define what the British soldier Is. March 2008 General Sir Richard Adamant Chief of the General Staff AND INTRODUCTION The British Army is a professional and disciplined team, with a long tradition of service to the country and it has strong public support. Marines in formation buy cheap dissertations going aboard or leaving the ship will face and salute the national ensign, but not the officer of the day. Since they are in formation, even though they may break ranks to file up the gangway, they are considered as a unit. The officer or NCO in charge will salute the officer of the day for the unit when boarding and debarking.

  • The first person who sees an officer enter a dining facility gives the order, “At ease,” unless a more senior officer already is present.
  • The state of the army leaves much to be desired regarding the discipline levels and the allocation of the army resources.
  • In musical cameos, such legends as Cab Calloway, Ray Charles, James Brown, Aretha Franklin and John Lee Hooker all ignite the screen.

Studios incorporated two-color sequences using Kodachrome and the rival Technicolor film stocks until three-strip Technicolor became the industry standard in the late 1930s. This sensational exposé of “white slavery” captivated the country upon its 1913 release and presaged the Hollywood narrative film. At six reels, its length was nearly unheard of at the time, save for a few biblical epics. Although arguably an exploitation film, the film’s riveting sociology is gripping in its portrayals of methods used to entrap working women and immigrants. Orson Welles directed, coscripted and costarred in one of cinema’s most influential and audacious suspense dramas about a honeymoon couple being terrorized by corrupt officials on both sides of the U.S.-Mexican border. The shadow-drenched cinematography of Russell Metty is remarkable and stands out right from the film’s opening shot from high above in one long extended take. The Supreme Court of Massachusetts, initially ordered the film banned and its negatives and prints destroyed.

The Band Wagon

The distinct voice and cinematic talent of Spike Lee first became evident thanks to this indie classic. “She’s Gotta Have It” tells the story of a confident, single black woman pursued by three different African-American men — and who isn’t sure she wants any of them. More than 30 years later, this landmark work remains as vital, vibrant, charming and streetwise as it was at first release, a harbinger of Lee’s enduring and visionary career as filmmaker.

Robert Florey, widely acclaimed as the best director working in major studio B-films during this period, crafted an intriguing, taut thriller. Anna May Wong overcame Hollywood’s practice at the time of casting white actors to play Asian roles and became its first, and a leading, Asian-American movie star in the 1920s through the late 1930s. “Daughter of Shanghai” was more truly Wong’s personal vehicle than any of her other films. In the story she admission essay editing service uncovers the smuggling of illegal aliens through San Francisco’s Chinatown, cooperating with costar Philip Ahn as the first Asian G-man of the American cinema. Although both Dandridge and Belafonte were singers, their opera voices were dubbed by Marilyn Horne and LeVern Hutcherson. Otto Preminger’s realist sensibility often seems contradictory to the whimsical nature of a musical, but some strong elements survive the segregationist context.

It documents his struggle to retain dignity in the face of grinding deprivation and disquieting temptations, and the alienation that threatens to break him away from his family. It also provides a sympathetic yet clear-eyed portrait of a community assaulted by poverty and lack of opportunity, yet it manages to remain hopeful. A signal moment in American race relations, this recording of the July 4 heavyweight title fight between champion Jack Johnson and former champion James J. Jeffries became the most widely discussed and written-about motion picture made before 1915’s “The Birth of a Nation.” With “The Hole,” legendary animators John and Faith Hubley created an “observation,” as the opening title credits state, a chilling Academy Award-winning meditation on the possibility of an accidental nuclear catastrophe. Jazz great Dizzy Gillespie and actor George Mathews improvised a lively dialogue that the Hubleys and their animators used as the voices of two New York construction workers laboring under Third Avenue.

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